Naman PandeyChicago

Taste / The Records

The Records

The album wall. Mostly the millennial alt canon — melancholy that doesn't wallow, confidence that doesn't announce itself.

Naman Pandey's album cover wall, arranged as a grid above a desk
Album wall

Signal

The records I keep coming back to. The sound of people figuring themselves out in public.

Radiohead

OK Computer

Saw the internet coming and wasn't happy about it.

Radiohead

Kid A

The follow-up that refused to repeat the trick.

Tame Impala

InnerSpeaker

One guy, a lot of reverb, talking himself into it.

Tame Impala

Currents

The same guy, five years later, talking himself into changing.

Queens of the Stone Age

...Like Clockwork

The comeback record about almost not making it. You can hear the almost.

Arctic Monkeys

AM

Confidence works better underplayed. Exhibit A.

The Smiths

The Queen Is Dead

Miserable and hilarious, usually in the same line.

Porcupine Tree

Deadwing

Prog for people who claim they don't like prog.

Nirvana

Nevermind

Still sounds like something breaking on purpose.

Muse

Absolution

Maximalist and unembarrassed. Turn it up.

Green Day

American Idiot

A concept album that earned the concept.

Green Day

21st Century Breakdown

The swing-for-the-fences sequel. Respect the ambition.

Oasis

(What's the Story) Morning Glory?

Swagger with the tunes to back it. Rare combo.

Daft Punk

Random Access Memories

Robots chasing something human. They caught it.

The Beatles

Help!

The one where the seams start to show. Better for it.

Belle & Sebastian

Dear Catastrophe Waitress

Twee with teeth. Sadder than it lets on.

Keane

Strangeland

Homesick piano-pop. Hits different once you've moved countries.

Poets of the Fall

Carnival of Rust

The deep cut on this wall. Earns its spot.